Page Operations
Browse Space
Add Content
Add Page
Add News
What do you think about michael polsky?
Polsky
$17.75(USD)
POLSKY'S Bar and Grill Wall or Table Clock USANew. 10" Open Face Clock. Can be hung on the wall or displayed on a plate stand (not included). Graphics are permanently printed on 3/8" hardboard. They are rich and vibrant and will last a lifetime. Precision quartz movement operates on one AA battery (not included). This is a premium quality clock. Made in the USA! Money back guarantee! If you are not 100% satisfied with your purchase return the item to us for a full refund.
100 Sign Language Flash Cards for Babies & Toddlers set A Sign Language for Babies & Toddlers by Elyza PolskyThe 100 double-sided cards are wonderful for hearing and hearing impaired babies and toddlers. Is she hungry? Is he tired? Do they want more? Find out what your babies and toddlers are trying to tell you! Sign Language is a great way to begin communicating with your baby before they can talk. Signing helps ease frustration, and research shows it can stimulate verbal language development. Ages 6 months+.
Milo Cleveland Beach
$62.00(USD)
One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great.
Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events.
Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons.
The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar.
